John Lewis 'Gloria and Pickles' 2026 Christmas ad
John Lewis 'Gloria and Pickles' 2026 Christmas ad John Lewis Media Centre

John Lewis has been accused of selling a Christmas film in which affection is bought off the shelf. In 'Gloria and Pickles', the retailer's 2026 holiday campaign, Kristin Scott Thomas plays a grandmother whose bored grandchildren ignore her simple old toys until she builds them a lavish Gran Cave, and plenty of viewers say it left them feeling flat rather than festive.

'Doesn't make me feel good about Christmas, just how sad it's materialistic,' one viewer wrote. 'Horrid kids too.' Columnist Sarah Vine called it 'spoilt, entitled, rude and overindulged', while Piers Morgan said it was possibly the worst advert he had seen.

The Gran Who Ends Up Shopping for Affection

The story is simple, and for many viewers that is the problem. A grandmother presents modest, thoughtful keepsakes and receives a lukewarm shrug. A shop-bought spectacle arrives, the children abruptly warm to her, and the underlying takeaway appears to be that devotion follows spending.

That narrative stings in a climate where households are watching every pound spent. When family budgets remain stretched, a storyline where quiet sentiment fails until an expensive retail upgrade intervenes feels uncomfortably out of touch. Viewers noted that Gloria's affluent London home only heightened the disconnect, shifting the conversation from creative taste to consumer trust. 'Awful on so many levels,' one commenter wrote, while another called it the 'first JL advert I've actively disliked'.

While this year's story relies on a playroom built from John Lewis products to drive the plot, heritage favourites such as 'Monty the Penguin' and 'The Long Wait' built long-term brand equity through understated sentimentality.

Comparisons to Last Year's Ad

For long-time observers of the UK retail calendar, the disappointment stems from the bar John Lewis previously set. Last year's 'Where Love Lives' charted a father and son reconnecting through a shared musical gift, drawing genuine tears over morning coffee.

Festive backlash isn't new for the retailer. The 2018 Elton John campaign drew sharp criticism for doubling as an overt promo for his farewell tour and the Rocketman biopic. Yet the 2026 controversy feels distinct: it is less about celebrity execution and more about what the film implies regarding wealth and family dynamics.

'I remember when the John Lewis ad was good,' one commenter wrote this time, and Kantar's Lynne Deason echoed the mood more measuredly, saying it lacks the emotional pull of earlier campaigns.

John Lewis 2026 Christmas Ad Backlash

While System1 awarded the film 5.6 stars—John Lewis's strongest result since 2019—with only 15% of tested viewers remembering the children as rude, and a OnePulse survey found 68% liked or loved the ad (with 48% naming Pickles the dog as the standout), these metrics reflect an immediate emotional reaction rather than lasting sentiment.

Unlike traditional focus groups, System1 asks viewers how an ad makes them feel, which helps explain how a cute pet and an evocative soundtrack can drive scores up. Columnists and social commentators weigh the ethical and economic message once the television screen goes dark.

That divide shows up on the commercial ledger as well: 58% of respondents said the ad would make no difference to their shopping habits at John Lewis, compared with 36% who felt more inclined to visit.

Testers scored the feeling; viewers scored the message. With the John Lewis Christmas ad 2026, the retailer is discovering that the second verdict echoes the longest.