
The fashion world loves a bold moment. Something shocking, something that gets people talking, something that breaks the internet before the models even finish the runway walk.
But sometimes, that 'bold moment' turns into something far heavier than intended.
That's exactly what happened with Burberry's now-infamous 'noose hoodie'. The design sparked global outrage and forced one of Britain's biggest luxury houses into damage control mode almost immediately.
It was supposed to be part of a cutting-edge collection under Riccardo Tisci's direction at Burberry's Autumn/Winter 2019 show during London Fashion Week. However, it quickly became a cultural flashpoint.
There were no trend forecasts and fabric admiration. The conversation shifted to symbolism, responsibility, and how far fashion can push boundaries before it crosses a line that should never be crossed.
How Burberry's Hoodie Sparked Immediate Backlash
It all began on the runway in London, where Burberry presented a collection blending streetwear influences with classic tailoring.
Among the looks was a hoodie featuring drawstrings tied in a knot resembling a noose. While it may have been intended as a styling detail, the visual impact was immediate, and deeply unsettling for many viewers.
Images from the show spread rapidly across social media, where users questioned how such a design made it through multiple stages of approval.
Fashion coverage from major outlets reported that the backlash escalated within hours. Critics highlighted the association many people made with suicide by hanging.
Burberry apologized for sending a hoodie with an attached noose down the runway at London Fashion Week, after model Liz Kennedy called the brand out for glamorizing suicide and ignoring the "horrifying history of lynching." pic.twitter.com/JTiOhtdUvE
— AJ+ (@ajplus) February 19, 2019
Model Raises Concerns Before the Runway Show
The controversy intensified when model Liz Kennedy publicly stated that she had raised concerns about the design before the show went ahead, but felt they were dismissed.
Her comments, widely reported in fashion and news media, added a new layer to the story. This only suggested that the issue was not only public interpretation, but also internal unease.
According to CNN, Kennedy posted on Instagram at the time, writing: 'Suicide is not fashion ... It is beyond me how you could let a look resembling a noose hanging from a neck out on the runway.'
Kennedy added that she had tried to escalate her concerns but was told only to write a letter. She also referenced the 'horrifying history of lynching' linked to the imagery, a point echoed by critics online.
She further alleged that staff made light of the design backstage and that her concerns were brushed off. Reportedly, a staff member told her: 'It's fashion. Nobody cares about what's going on in your personal life so just keep it to yourself.'
Burberry Responds as Backlash Intensifies
As criticism grew, Burberry issued a public apology acknowledging that the hoodie design was 'insensitive' and confirming that it would be removed from the collection. The brand also stated that the item would not be made available for sale.
Riccardo Tisci, who was leading the brand's creative direction at the time, explained that the design was not intended to reference suicide or self-harm. However, he also acknowledged the seriousness of the reaction and the distress caused, reinforcing that intent does not override impact when it comes to public-facing design.
The brand's response included commitments to reviewing internal processes, particularly around design approvals and runway checks.
Fashion's Ongoing Debate Over Sensitive Imagery
The Burberry hoodie controversy didn't just fade as a seasonal scandal. Instead, it became part of a wider industry conversation about responsibility in fashion design.
In an era where runway images circulate globally within seconds, context is often lost—and interpretation happens fast, emotionally, and publicly.
Luxury fashion has long thrived on pushing boundaries, challenging norms, and experimenting with symbolism. But this case raised an uncomfortable question: What happens when a creative idea unintentionally echoes real-world trauma?










